As for next year, the perennial favourites (LWW, Sailing, Caving, Parachuting) will all be there. The Easter Camp will be cross-country skiing in Norway, and the Summer Camp looks like taking off for one of the USA's National Parks.
I would like to thank all those who have helped in running the Expeditions this year - the assistance is much valued.
Damian Riddle
The 'pragmatism' theory, however, refuses to fit the whole equation. Even for people who have done the course several times, the emotional side remains a highly charged, and highly attractive, area. At its most mechanical, you can trace a few stages: the obvious initial awkwardness, being unsure of what to say, when, and how to say it; improvements on both sides, and shift from conscious 'socialising' to chatting; and the final, undiscriminating retaliation against everything, and desperate bid for sleep. This - even this - doesn't account for everything. Despite a violent phobia of over-emotionalising, and inbuilt 'psychobabble' filter, feelings squeeze through that cannot be slotted into any kind of agenda - realising that you're giving, and having, a lot of pleasure, that conversations are now more interesting than awkward, and still (even though it becomes less frequent), that you are incredibly lucky to be able to dress and feed yourself. Everything, in this respect, seems to be a mixture of extremes: intense fun, intense exhaustion; one minute motivated, the next, deflated.
Unsurprisingly, the ending concert - towards which daily workshops had been geared - encapsulated the week's exotic emotional combinations. An Oscar-winning performance by David Esfandi boosted the remarkable Abba hits/musical numbers repertoire, was burnished by futuristic prop contributions, and backdropped by PHAB's premiering thriller sequence. After a much deserved round of mutual back-patting, we were left with the last item - David Myles reciting one of his own poems. It is difficult to pin down, and even harder to describe. If I say that he can hardly move or talk, and that he writes exclusively of love and beauty, the audience confusion becomes understandable - one of the only times where the cliched laugh/cry dilemma has been totally accurate. If I had to sum up PHAB in a memory, it would have to be that finale. The week is a balancing act, a see-saw of overwhelming sympathy and awkwardness (unproductive), and pitiless pragmatism (equally unproductive). Embarrassingly obvious as it may sound, the key to a sane seven days is remembering that they're in it for fun, that you're in it for fun, and that you'll end up getting as much out as you put in.
Salome Leventis (Hakluyt's)